100 Inspiring Sites for Poets & Poetry Lovers

[Tyr-Ziu Saxnot]

http://mastersinenglish.org/poetry/


100 Inspiring Sites for Poets & Poetry Lovers

Poetry Organizations
Archives & Collections

Poetry Journals
Performance & Event Sites

Poetry Blogs
More Sites for Poets

Poetry is one of the most historically rich, complex, and beautiful forms of expression in any language. The cultural and emotional impact that poetry has had over the years cannot be overstated. The famous writer Salman Rushdie said that “A poet’s work is to name the unnameable, to point at frauds, to take sides, start arguments, shape the world, and stop it going to sleep.” This respect and fascination for poetry has spread throughout the world, and the medium’s incredible popularity has only grown.

The history of poetry goes back thousands of years, and the interest in creating and reading great poetry has never been stronger. There are journals and communities and magazines and competitions for creating poetry all over the world. Here we have listed 100 of the most interesting, unique, beautiful, and compelling sources of new and old poetry online. For the discerning poet who wants to join the vibrant online community of poetry lovers, these are perfect entry points.
Poetry Organizations

Many passionate poets and readers have come together to preserve the heritage of poetry and to continue to create more and push the medium forward. There are organizations for poets and verse-lovers of every ilk, and some of the most active are collected here.

Poetry Foundation

Poetry Foundation
The Poetry Foundation is the publisher of Poetry magazine. Located in Chicago, they discover and publish the best poetry and place it before the largest possible audience.

Get Updates On Twitter: @PoetryFound
Academy of American Poets

Academy of American Poets
This site shares numerous resources with writers, poets and teachers. They have a poem-a-day feature, materials for teachers, and a function to find nearby poetry readings.

Get Updates On Twitter: @POETSorg
Poetry Society of America

Poetry Society of America
The Poetry Society of America aims to encourage a deeper appreciation of poetry and to build a larger and more diverse audience for American poetry.

Get Updates On Twitter: @Poetry_Society
Poets & Writers

Poets & Writers
Poets & Writers, Inc., is an extensive source of information, support, and guidance for creative writers. Founded in 1970, it is the nation’s largest nonprofit literary organization serving poets, fiction writers, and creative nonfiction writers

Get Updates On Twitter: @poetswritersinc
Duotrope

Duotrope
Duotrope is a subscription-based service for writers that offers an extensive, searchable database of current fiction, poetry, and non-fiction markets, a calendar of upcoming deadlines, submissions trackers, and useful statistics. They are an extremely valuable resource for both new and established writers.

Get Updates On Twitter: @Duotrope
New Pages

New Pages
NewPages is the Portal of Independents! News, information and guides to literary magazines, independent publishers, creative writing programs, independent bookstores, alternative periodicals, independent record labels, alternative newsweeklies and more.

Get Updates On Twitter: @newpages
The Marin Poetry Center

The Marin Poetry Center
The Marin Poetry Center welcomes new poets, established writers, as well as anyone interested in the art of the spoken word. MPC sponsors regular readings and workshops at Falkirk, many of which are co-sponsored by Poets & Writers.
Poets House

Poets House
Poets House offers a 60,000-volume poetry library in New York City. Members receive special benefits and support the ongoing work of the Poets House.

Get Updates On Twitter: @poetshouse
PennSound

PennSound
PennSound is an ongoing project, committed to producing new audio recordings and preserving existing audio archives. The project is run by the Center for Programs in Contemporary Writing at the University of Pennsylvania.

Get Updates On Twitter: @PennSound
Star*Line

Star*Line
The Science Fiction Poetry Association was founded in 1978 to bring together poets and readers interested in science-fiction poetry. They also provide a links page for websites that publish speculative or genre fiction and poetry.
Dallas Poets Community

Dallas Poets Community
The Dallas Poets Community works to create a creative, diverse space for poets. They offer workshops, classes and contests for those poets in the Dallas area.
The Concord Poetry Center

The Concord Poetry Center
The Concord Poetry Center is a non-academically-affiliated center for poets in the Boston area. They offer a poetry-focused center where people can write, read, listen to, and learn about the art of poetry.
Haiku Society of America

Haiku Society of America
The Haiku Society of America is a not-for-profit organization founded in 1968 to promote the writing and appreciation of haiku in English. Membership is open to all readers, writers, and students of haiku.
The Poetry Center of Chicago

The Poetry Center of Chicago
The Poetry Center of Chicago is independent not-for-profit arts organization founded in 1974. Their mission is to promote poetry through readings, workshops, and arts education
100 Thousand Poets for Change

100 Thousand Poets for Change
100 Thousand Poets for Change is an organization that uses poetry and cultural creation to promote sustainability, social change, and peace across the U.S. and internationally.

Get Updates On Twitter: @100TPC
National Federation of State Poetry Societies

National Federation of State Poetry Societies
The National Federation State Society is an educational and literary non-profit. It is dedicated solely to the furtherance of poetry on the national level.



Top of Page
Poetry Journals

Poetry journals offer a venue for writers to have their work published, read, loved, and criticized by a huge community of readers and writers. Some journals offer both print and online editions while some are restricted to one or the other. All of these are worth a deep read for anyone who wants to explore the poetry being written now.

Poetry Flash

Poetry Flash
Poetry Flash builds community through literature, providing literary writing, access to literary activities, information, and inspiration to writers and the public through publishing and events. There are both online and print editions available.

Get Updates On Twitter: @poetryflash
Arsenic Lobster Poetry Journal

Arsenic Lobster Poetry Journal
Founded in 1999, Arsenic Lobster Poetry Journal is entirely & privately funded by Susan Yount. The staff of editors is entirely volunteer-based.
Smartish Pace

Smartish Pace
Print issues of Smartish Pace contain new poetry and translations of poetry. The website contains book reviews, essays on poetry and interviews with poets.

Get Updates On Twitter: @SmartishPace
Ploughshares

Ploughshares
Ploughshares was founded in 1971 by DeWitt Henry and Peter O’Malley in the Plough and Stars, an Irish pub in Cambridge, Massachusetts. Since 1989, Ploughshares has been based at Emerson College, which hosts one of the best M.F.A. programs in creative writing in the country. Published in April, August, and December in quality paperback, each issue is guest-edited by a prominent writer who explores personal visions, aesthetics, and literary circles. Inside each issue, you’ll find not only great new stories and poems, but also a profile on the guest editor, book reviews, and miscellaneous notes about Ploughshares, its writers, and the literary world.

Get Updates On Twitter: @pshares
Poet Lore

Poet Lore
Poet Lore has been a broad-minded and passionate conversation about literature since 1889. They published many great poets and playwrights of their era, often presenting them in English to American readers who’d never heard their names.
Poetry Superhighway

Poetry Superhighway
Rick Lupert has been involved in the Los Angeles poetry community since 1990. His poetry has appeared in numerous magazines and literary journals, including The Los Angeles Times, Rattle, Chiron Review, Stirring and more.

Get Updates On Twitter: @PoetrySuperHwy
Nostrovia!

Nostrovia!
Nostrovia offers publication opportunities as well as resources for aspiring poets. They sponsor chapbook contests, interviews, and creative writing reviews.

Get Updates On Twitter: @NostroviaPoetry
Cordite Poetry Review

Cordite Poetry Review
This journal’s focus is on Australian and International poetics and criticism. They also publish a scholarly review site for academic research.

Get Updates On Twitter: @corditepoetry
Up the Staircase Quarterly

Up the Staircase Quarterly
April Michelle Bratten co-founded Up the Staircase Quarterly in 2008. She became the sole managing editor in 2013.

Get Updates On Twitter: @upthestaircase


Informative, educational and great sourcing sites for poets/writers to use, review and consider..--Tyr

[Tyr-Ziu Saxnot]

Two new finds today. Worthy for far more than was intended by the source, methinks..-Tyr


Both from this link..


http://thebestamericanpoetry.typepad.com/the_best_american_poetry/



January 16, 2017
Burning Down Suburbia: Dante Di Stefano Reviews Sjohnna McCray's Rapture

9781555977375

Rapture
Sjohnna McCray
Graywolf Press, 2016

Sjohnna McCray’s debut collection, Rapture, celebrates the lives fountaining through a single life and transmutes the eddies of those lives into an aria. Like the blossoms seen falling through a kitchen window in McCray’s poem, “The Pear Tree,” the poems in Rapture helicopter to earth, “suicidal brides plummeting.” These poems skitter on the edge of adoration, limned with want, cankered with loss, honeyed with the sweet fearful immensities of the strange thisness shuttling between the heart and the mind. Many voices vertebrae the poems in this book in registers of devotion, passion, ire, sorrow, and jubilation. McCray draws on the details of his birth: his father was a soldier and his mother was a “comfort woman.” In “Bedtime Story # 1” McCray describes his parents after they had first met: “they could stroll the lane like an ordinary couple:/ the unassuming black and the Korean whore/ in the middle of the Vietnam War.” From these details, McCray explores the complicated notions of Americanness that his life embodies, implies, and challenges: “an extravagance of small pauses,/ / many caesuras.” However, McCray’s work as a whole concerns itself with recreating the infinitesimal moments in a life, situated on the threshold of song, when past, present, and future overlap and we are most ourselves.

McCray’s lines are most themselves when Eros and Thanatos equally inhabit them. In the last lines of the book, McCray redefines “rapture” as the moment before an orgasm, “an old LP, a needle tracing static,/ a record ready to drop.” Meanwhile, outside, walnuts smack on the roof, a cardinal shakes on the line, and “still we refuse to yield/ back into being singular.” For McCray the refusal to be anywhere else but in the posture of eternal embrace constitutes the very groundwork of existence; we are always dying into each other, into our pasts and futures, into our ghosts and regrets. Throughout Rapture, McCray opens a dialogue with his father, whose life and legacy constantly swans into the poems. The poem “Portrait of My Father as a Young Black Man,” for example, reads:

Rage is the language of men,
layers of particulates fused.

Rage is the wine
father pours to the ground

for men whose time has passed. Rage
is gripped in the hands

like the neck of a broom held tight. Rage
gets stuck in the throat, suppressed.

Rage is a promise kept.

Although rage is part of the vocabulary Rapture sorts through, the real language of this poem and every other poem in this book is love. Whether commemorating the lives of his parents, hailing his beloved, burning down the suburbia of his own adolescence, or elegizing the tragic life and death of the poet, Reetika Vazirani, Sjohnna McCray is driven to the page out of love. Rapture is a reminder that we are at our best when we refuse to yield back into being singular, a timely and timeless collection to laud on Martin Luther King Jr. Day, 2017.

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Dante Di Stefano is the author of Love is a Stone Endlessly in Flight (Brighthorse Books, 2016). His poetry, essays, and reviews have appeared in Brilliant Corners, The Los Angeles Review, Shenandoah, Prairie Schooner, and elsewhere. He is the winner of the 2015 Red Hen Press Poetry Award, the Crab Orchard Review's 2016 Special Issue Feature Award in Poetry, and the 2016 Manchester Poetry Prize,
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Posted by Dante Distefano on January 16, 2017 at 04:23 PM in Book Recommendations, Dante Di Stefano, Feature, Guest Bloggers | Permalink | Comments (0)

January 13, 2017
Do male poets have crushes on female poems? [by David Lehman]

Do male poets have crushes on female poems? Maybe, but the reverse is also true, and the old canard that male poetry editors like it when the women talk dirty implies bad faith on the part of the males and bad morals on the part of the females and is as reductive as concluding from a man's appreciation of, say, Marianne Moore's poems that the guy likes scholarly and quaint. There's more to Moore than that, and a poem with the tits to start "Fuck me" is daring not so much because of the grab-you opening but because that's a high standard of intensity for the rest of the poem to live up to.

Do (some) male poets have a weakness (or a yen) for lustful poems by women such as Olena Kalytiak Davis, Jill Alexander Essbaum, Kim Addonizio, Jennifer L. Knox, Nin Andrews, Deborah Landau, Moira Egan, Cynthia Hungtington, Sharon Olds? Sure, but the length of that list and the fact that it could be twice as long lead to a different explanation, and I would argue that female sexuality is an area of experience that had not until recently been explored quite as candidly and with language as frank and sometimes even deliberately crude as you find in the best American erotic poetry. After the 1960s you could tell there was a void in the literature and you knew you could do something about it. Taking advantage of the opportunity, talented women have given us some wonderful erotic poems.

Now the idea of "gendering" neutral objects fascinates me. In Grench and Ferman, I mean French and German, the nouns are grammatically either masculine or feminine. I believe this is for arcane reasons having more to do with signs than with meanings, and there are oddities aplenty -- in French the word for the female breast (sein) is masculine and the word for the male chest (poitrine) is feminine. There was always a semantic difference between gender and sex, and though it has been obscured tremendously in recent usage, it's a pity if the distinction is lost, and "the difference between gender and sex" has real possibilities as a title.

That said, don't you love the idea of assigning a sex to the parts of speech -- or to individual poems? Please then, dear reader, guess the sexual identity of the following works: "Ode on a Grecian Urn." "Out of the Cradle Endlessly Rocking." "The Waste Land." "In Memoriam." "The Sick Rose." Though all were written by men, I'd say two of these is female.

Read The Iliad and you are in a universe that is male and tragic. Read The Odyssey and you are in a universe that is female and comic. Mark Van Doren said that. The Odyssey has the greatest cast of female characters: Calypso, Nausikaa, Circe, Athena, and Penelope. But that is just one reason The Odyssey is feminine.

A more challenging case is that of "To His Coy Mistress" (Andrew Marvell) versus "To His Mistress Going to Bed" (John Donne). Set the poems before a group and ask for its preference, and you'll see a 50-50 split on which they like more -- and which they consider more acceptably masculine. It's always the women that have the strongest opinions.

Reading a poem without knowing the identity of the author, as during certain prize competitions, you invariably wonder whether the author is old or young, man or woman. Researchers Camille Pascale and Robert Petit tested themselves and were 80% wrong. Guessing the age and the sexual identity of twenty poems anonymously presented in a variety of typefaces, they were wrong sixteen out of twenty times. This happened repeatedly. They concluded that the whole endeavor was a blind alley. (See Camille Pascuale and Robert Pettit, "Blind Judgment: The Poetic Case for Gender Neutrality.")

But the conceit makes it great: the idea played with in the dance hall of poetic improvisation. The idea that some poems are male and some are female, and that male poets may write female poems and female poets may write male poems, stands or falls not on its truth value but on its value as a stimulus to thought and discussion.

As Ern Malley observed, "a poem is both the means and the end." Eric Rice adapted Orwell: "Some poems are more equal than others." The Dickinson expert Jessica Miller said "some poems have cojones" but was opposed as sexist by Jane Splice, who favored the "tits" locution used above.

From the archives: originally posted January 13, 2012.